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Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century (Feminist Media Studies)

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Read more about the condition Very Good: A book that has been read and does not look new, but is in excellent condition. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. Your use of the translations is subject to all use restrictions contained in your Electronic Products License Agreement and by using the translation functionality you agree to forgo any and all claims against ProQuest or its licensors for your use of the translation functionality and any output derived there from.

The femininity of American popular culture unfortunately remains tied to a white cis-gendered and heteronormative set of traits, a fact that Levine acknowledges. The documentary is illuminating and brings forth the making of a sex film using the female 'gaze' instead of the typical male 'gaze'.

Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. Fifty Shades of Postfeminism: Contextualizing Readers' Reflections on the Erotic Romance Series / Melissa A. This initiative aims to attack or take possession of the term “bossy,” which has a derogative association with outspoken girls and women.

JOHN CABOT UNIVERSITY PRESS JOHNS HOPKINS UNIVERSITY PRESS LEHIGH UNIVERSITY PRESS LEXINGTON BOOKS LIMELIGHT LIMELIGHT EDITIONS LONE STAR BOOKS LYONS PRESS M. Bodies” addresses the physical appearance, health and spirituality of female bodies as sites of labor and pleasure.On top of this, “whether by dismissive naming – chick flicks, mommy blogs, ladyporn – or by [the] general derision with which they are treated, feminized popular culture is often constructed as lightweight, frivolous, and excessively emotional” (Levine, p. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. This chapter analyzes the content and reception of the first season of Devious Maids within an institutional context. Incisive and compelling, Cupcakes, Pinterest, and Ladyporn sheds new light on contemporary women’s engagement with an array of media forms in the context of postfeminist culture and neoliberalism.

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